583 50 2323 6 8557 document 2323 2Aware.wav audio/x-wav fec420ed485bf537a43f62b30e100ba0 MD5 108181736 2025-07-22 11:43:27 https://data.kent.ac.uk/583/2/2Aware.wav 583 2 3 audio/x-wav audio Aware is a stereo composition ten minutes and twelve seconds long, created in 2021. Focus is on the concept of the “outer reality” of the sounds within these bus soundscapes while exploring the “inner reality” of the intended context and sexual harassment en staffonly cc_by_4

2Aware.wav

2026-07-01 data 2324 5 8559 document 2324 3Still_Waters_Run_Deep.wav audio/x-wav a0dba5a57bb5fb569e4efdae33b2dcfe MD5 97576108 2025-07-22 11:44:03 https://data.kent.ac.uk/583/3/3Still_Waters_Run_Deep.wav 583 3 4 audio/x-wav audio Developed in 2023, this composition is nine minutes and twelve seconds for stereo format. The composition focuses on the “Appraisal” phase of Huron’s (2007) ITPRA theory of expectation. It follows Aware and analyses elements of Nairobi bus culture. en staffonly cc_by_4

3Still_Waters_Run_Deep.wav

2026-07 data 2325 5 8561 document 2325 Composition_4_Mashine 8-channel.zip application/zip 9d23fb7712a682fd91af5a40153ea8ca MD5 345899053 2025-07-22 11:46:01 https://data.kent.ac.uk/583/4/Composition_4_Mashine%208-channel.zip 583 4 5 application/zip archive Mashine is a multi-channel (8-channel) composition that premiered in 2023 at the University of Greenwich's Sound/Image23 Conference and again at BEAST FEaST 2025 at the University of Birmingham. The word Mashine is Swahili for Machine. en staffonly cc_by_4

Composition_4_Mashine 8-channel.zip

2026-07 data 2326 4 8563 document 2326 Composition_5_On-situ_8-channel.zip application/zip 1d100b15caefd3584b5554dcb35b7165 MD5 525107058 2025-07-22 11:48:10 https://data.kent.ac.uk/583/5/Composition_5_On-situ_8-channel.zip 583 5 6 application/zip archive In-situ, a twelve-minute and thirty-two-second film, was released in 2023. It is a multi-channel composition (for 8-channels), and was performed at Composing (with) Systems 2025. en staffonly cc_by_4

Composition_5_On-situ_8-channel.zip

2026-07 data 2327 4 8565 document 2327 6Listen_And_Let's_Talk_About_It.wav audio/x-wav a50f0145fcfabfaab287484ad974870a MD5 150252222 2025-07-22 11:49:23 https://data.kent.ac.uk/583/6/6Listen_And_Let%27s_Talk_About_It.wav 583 6 7 audio/x-wav audio Released in 2023, this composition is for stereo format and is fourteen minutes and eight seconds in length. It centres the Prediction response from Huron’s (2007) ITPRA theory of expectation, exploring responses related to socialisation and patriarchy. en staffonly cc_by_4

6Listen_And_Let's_Talk_About_It.wav

2026-07 data 2328 4 8567 document 2328 Composition_7 Listen_and_Let's_Do_Something_About_It 8-channel.zip application/zip 95dc253e4552e0b2c5be69383524d2bf MD5 458065322 2025-07-22 11:50:47 https://data.kent.ac.uk/583/7/Composition_7%20Listen_and_Let%27s_Do_Something_About_It%208-channel.zip 583 7 8 application/zip archive This composition, released in 2024, is ten minutes and thirty-four seconds long. It’s a multi-channel composition (8-channels). It centres the Tension response from Huron’s (2007) ITPRA theory of expectation. en staffonly cc_by_4

Composition_7 Listen_and_Let's_Do_Something_About_It 8-channel.zip

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Multi-channel_setup_instructions_for_all_multi-channel_compositions.pdf

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lightbox.jpg

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preview.jpg

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medium.jpg

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small.jpg

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indexcodes.txt

data http://eprints.org/relation/isVersionOf https://data.kent.ac.uk/id/document/2329 http://eprints.org/relation/isVolatileVersionOf https://data.kent.ac.uk/id/document/2329 http://eprints.org/relation/isIndexCodesVersionOf https://data.kent.ac.uk/id/document/2329 2347 12 8626 document 2347 Less than 140 (2019).mov video/quicktime 2162d4ca0d48a04a544e51f486ae97a7 MD5 249812559 2025-07-31 08:19:43 https://data.kent.ac.uk/583/16/Less%20than%20140%20%282019%29.mov 583 16 1 video/quicktime video Less than 140 is an eleven-minute audiovisual composition created in 2019, centring the #mydressmychoice campaign, highlighting a historic moment in women’s and girls’ rights activism in Nairobi, Kenya. en staffonly cc_by_4

Less than 140 (2019).mov

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EstherKiburi_KDR_AssistedDepositForm_MusicPortfolio_AddedContext QCed.docx

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EstherKiburi_KDR_AssistedDepositForm_MusicPortfolio_AddedContext (1).docx

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indexcodes.txt

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indexcodes.txt

data http://eprints.org/relation/isVersionOf https://data.kent.ac.uk/id/document/2349 http://eprints.org/relation/isVolatileVersionOf https://data.kent.ac.uk/id/document/2349 http://eprints.org/relation/isIndexCodesVersionOf https://data.kent.ac.uk/id/document/2349 archive 2768 disk0/00/00/05/83 2025-08-04 15:45:12 2026-04-13 13:49:19 2025-08-04 15:45:12 data_collection show Esther.w.kiburi@gmail.com Kiburi Esther Wairimu e.w.kiburi@kent.ac.uk N 46200 restricted soundscape research, electroacoustic composition, gender theory, creative practice, sonic geography, decolonial sound studies, sociology, African feminism, music, rhythm and mobilities Portfolio of Electroacoustic music compositions (seven compositions and one audiovisual composition) 2025-07-22 sound thesis 10.22024/UniKent/01.02.110563 DOI https://kar.kent.ac.uk/110563/ https://doi.org/10.22024/UniKent/01.02.110563 IsSupplementTo pub 2025-08-04 TRUE 2025-08-04 Nairobi, Kenya English 2018-09-01 2025-03-31 10.22024/UniKent/01.01.583 https://ror.org/00xkeyj56 1547